In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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BPS 335: From $7K Film Red 11 to Making SPY KIDS: ARMAGEDDON for Netflix with Racer Max & Rebel Rodriguez
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Treść dostarczona przez IFH Industries, Inc. and Bulletproof Screenwriting. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez IFH Industries, Inc. and Bulletproof Screenwriting lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
In this episode, we have Racer Max and Rebel Rodriguez. The sons of the legendary filmmaker Robert Rodriguez and film producer Elizabeth Avellán. Racer, Rebel, and I had an amazing conversation about what it was like being raised by two master filmmakers, what it was like to be on set, but also what they've learned along the way, what they are doing differently than their predecessors have, and the amazing work that they're doing on big projects like Hypnotic, We Are Heroes, and the latest in the Spy Kids franchise, Spy Kids: Armageddon.
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Spy Kids: Armageddon: The children of the world's greatest secret agents unwittingly help a powerful game developer unleash a computer virus that gives him control of all technology, leading them to become spies themselves to save their parents and the world.
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Manage episode 379029853 series 2151605
Treść dostarczona przez IFH Industries, Inc. and Bulletproof Screenwriting. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez IFH Industries, Inc. and Bulletproof Screenwriting lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
In this episode, we have Racer Max and Rebel Rodriguez. The sons of the legendary filmmaker Robert Rodriguez and film producer Elizabeth Avellán. Racer, Rebel, and I had an amazing conversation about what it was like being raised by two master filmmakers, what it was like to be on set, but also what they've learned along the way, what they are doing differently than their predecessors have, and the amazing work that they're doing on big projects like Hypnotic, We Are Heroes, and the latest in the Spy Kids franchise, Spy Kids: Armageddon.
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Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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continue reading
Spy Kids: Armageddon: The children of the world's greatest secret agents unwittingly help a powerful game developer unleash a computer virus that gives him control of all technology, leading them to become spies themselves to save their parents and the world.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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