FXF_S04EP04 : SPIKE LEE: BARRY ALEXANDER BROWN, TOM FLEISCHMAN, PHIL STOCKTON, JUDY ALEY

Frame By Frame

FXF_S04EP04 : SPIKE LEE: BARRY ALEXANDER BROWN, TOM FLEISCHMAN, PHIL STOCKTON, JUDY ALEY

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Picture editor Barry Alexander Brown, sound editor, Phil Stockton. researcher Judy Aley and re-recording Mixer Tom Fleischman have worked with filmmaker Spike Lee on such films as She’s Gotta Have It, School Daze, 25h Hour, Inside Man, Malcolm X and most recently BlacKKKlansman. In this episode we talked with them about how they first began working with Spike Lee, their collaborative process and the cinematic breakthroughs they’ve made together in making films together for over 30 years.

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This session was recorded at Soundtrack in New York City. The sound engineer was Kristin Coutogna.

Frame By Frame is expanding to include short interviews spotlighting bold new voices in New York filmmaking the New York in snapshot conversations called Generation Next. Listen for upcoming mini-episodes.

Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.

Frame By Frame is proudly presented by Post New York Alliance.

Stay tuned for upcoming episodes of Frame By Frame with the collaborators of Bob Fosse.