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Did Orson Welles’s 1938 ‘War of the Worlds’ Broadcast Really Cause a Mass Panic?

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Manage episode 459777000 series 2421086
Treść dostarczona przez Support and History Unplugged. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Support and History Unplugged lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

On a warm Halloween Eve, October 30, 1938, during a broadcast of H G. Wells' War of the Worlds, Orson Welles held his hands up for radio silence in the CBS studio in New York City while millions of people ran out into the night screaming, grabbed shotguns, drove off in cars, and hid in basements, attics, or anywhere they could find to get away from Martians intent on exterminating the human race. As Welles held up his hands to his fellow actors, musicians, and sound technicians, he turned six seconds of radio silence—dead air—into absolute horror, changing the way the world would view media forever, and making himself one of the most famous men in America.

The revisionism lately of Orson Welles War of the Worlds 1938 broadcast is that it did not affect many beyond l the East Coast and most people did not believe Martians had invaded and were exterminating the human race with heat ray guns and poisonous gas. William Hazelgrove’s new book “Dead Air The Night Orson Welles Terrified America,” points to a different America thrown into mass panic from the broadcast produced and directed by the twenty-three-year-old Welles.
Did people really believe that Martians were exterminating the human race and did mass panic engulf the country? Willliam Hazelgrove makes a convincing case people did believe the broadcast and the ensuing terror and panic was a real time example of what would happen if aliens ever did land on earth.

See omnystudio.com/listener for privacy information.

  continue reading

962 odcinków

Artwork
iconUdostępnij
 
Manage episode 459777000 series 2421086
Treść dostarczona przez Support and History Unplugged. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Support and History Unplugged lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

On a warm Halloween Eve, October 30, 1938, during a broadcast of H G. Wells' War of the Worlds, Orson Welles held his hands up for radio silence in the CBS studio in New York City while millions of people ran out into the night screaming, grabbed shotguns, drove off in cars, and hid in basements, attics, or anywhere they could find to get away from Martians intent on exterminating the human race. As Welles held up his hands to his fellow actors, musicians, and sound technicians, he turned six seconds of radio silence—dead air—into absolute horror, changing the way the world would view media forever, and making himself one of the most famous men in America.

The revisionism lately of Orson Welles War of the Worlds 1938 broadcast is that it did not affect many beyond l the East Coast and most people did not believe Martians had invaded and were exterminating the human race with heat ray guns and poisonous gas. William Hazelgrove’s new book “Dead Air The Night Orson Welles Terrified America,” points to a different America thrown into mass panic from the broadcast produced and directed by the twenty-three-year-old Welles.
Did people really believe that Martians were exterminating the human race and did mass panic engulf the country? Willliam Hazelgrove makes a convincing case people did believe the broadcast and the ensuing terror and panic was a real time example of what would happen if aliens ever did land on earth.

See omnystudio.com/listener for privacy information.

  continue reading

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