In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Screenwriter Deborah Starr Seibel from Sisters and 21 Jump Street
MP3•Źródło odcinka
Manage episode 257282557 series 1077542
Treść dostarczona przez How I Wrote That and Khanisha Foster. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez How I Wrote That and Khanisha Foster lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Deborah Starr Seibel is a multiple award-winning journalist and screenwriter. For the past eight years, she has been an instructor at USC's School of Cinematic Arts in the John Wells Division of Writing for Film & Television. In addition, she serves as a mentor for Stephens College's MFA in Screenwriting program. In prime time television, Deborah recently sold two pilots to CBS and is credited with four years on staff. During those years, she wrote six episodes for the final season of NBC's Sisters and spent three additional years on the staff of Promised Land, the spin-off to CBS's Touched By An Angel. She has also written episodes for Mysterious Ways and 21 Jump Street. As a television reporter, Deborah won a George Foster Peabody award for investigative journalism, two Emmy Awards and First Place from the Associated Press for one of her documentaries. As a print journalist, she has written for the New York Times, Los Angeles Times, Chicago Tribune, Parade and USA Today. In addition, she is a long-time national correspondent for TV Guide. In 2010, Deborah was awarded a USC Annenberg Fellowship to receive her Master's Degree in Specialized Journalism/The Arts. "If there isn't a kernel of truth you shouldn't be writing. You get to know the people in a writers' room better than your family, because you have to bring yourself, your stories, your history, your family experience into that room or you have nothing to contribute because nobody on this planet has lived the life you've lived and if you don't bring that into the writers' room, what good are you? What we are as artists are people who are trying to allow other people to feel that they are not alone." -Deborah Starr Seibel
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5 odcinki
MP3•Źródło odcinka
Manage episode 257282557 series 1077542
Treść dostarczona przez How I Wrote That and Khanisha Foster. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez How I Wrote That and Khanisha Foster lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Deborah Starr Seibel is a multiple award-winning journalist and screenwriter. For the past eight years, she has been an instructor at USC's School of Cinematic Arts in the John Wells Division of Writing for Film & Television. In addition, she serves as a mentor for Stephens College's MFA in Screenwriting program. In prime time television, Deborah recently sold two pilots to CBS and is credited with four years on staff. During those years, she wrote six episodes for the final season of NBC's Sisters and spent three additional years on the staff of Promised Land, the spin-off to CBS's Touched By An Angel. She has also written episodes for Mysterious Ways and 21 Jump Street. As a television reporter, Deborah won a George Foster Peabody award for investigative journalism, two Emmy Awards and First Place from the Associated Press for one of her documentaries. As a print journalist, she has written for the New York Times, Los Angeles Times, Chicago Tribune, Parade and USA Today. In addition, she is a long-time national correspondent for TV Guide. In 2010, Deborah was awarded a USC Annenberg Fellowship to receive her Master's Degree in Specialized Journalism/The Arts. "If there isn't a kernel of truth you shouldn't be writing. You get to know the people in a writers' room better than your family, because you have to bring yourself, your stories, your history, your family experience into that room or you have nothing to contribute because nobody on this planet has lived the life you've lived and if you don't bring that into the writers' room, what good are you? What we are as artists are people who are trying to allow other people to feel that they are not alone." -Deborah Starr Seibel
…
continue reading
5 odcinki
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