In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez How I Wrote That and Khanisha Foster. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez How I Wrote That and Khanisha Foster lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Screenwriter & producer Rachel Shukert from GLOW and The Baby-Sitters Club
Manage episode 259266299 series 1077542
Treść dostarczona przez How I Wrote That and Khanisha Foster. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez How I Wrote That and Khanisha Foster lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Rachel Shukert is a producer and writer, known for GLOW (2017), Supergirl (2015) and The Baby-Sitters Club (2020). Her plays include Bloody Mary (NYIT nominee), Everything's Coming Up Moses and The Three Gabor Sisters and her books include the memoirs Everything Is Going To Be Great and Have You No Shame? When you know these characters so well you can get into a rut. You get caught up in what you thought their arc was. Characters become their own people and you have to keep yourself open to letting them do things that maybe you didn’t imagine for them earlier on… For me everything interesting exists in the space between who we are and who we think we should be and all internal conflict, all the stories, all these bad decisions people make – or good decisions people make – happen in that space.
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Udostępnij
Manage episode 259266299 series 1077542
Treść dostarczona przez How I Wrote That and Khanisha Foster. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez How I Wrote That and Khanisha Foster lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Rachel Shukert is a producer and writer, known for GLOW (2017), Supergirl (2015) and The Baby-Sitters Club (2020). Her plays include Bloody Mary (NYIT nominee), Everything's Coming Up Moses and The Three Gabor Sisters and her books include the memoirs Everything Is Going To Be Great and Have You No Shame? When you know these characters so well you can get into a rut. You get caught up in what you thought their arc was. Characters become their own people and you have to keep yourself open to letting them do things that maybe you didn’t imagine for them earlier on… For me everything interesting exists in the space between who we are and who we think we should be and all internal conflict, all the stories, all these bad decisions people make – or good decisions people make – happen in that space.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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…
continue reading
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continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Are you afraid to be alone with your own thoughts? Would you rather hear stories and conversations from three idiots stumbling through womanhood? Well, you’re in the right place! From the minds and mouths of Keltie Knight, Jac Vanek, and Becca Tobin, the LADYGANG podcast intends to make women feel less alone. Each week the ladies welcome celebrity guests, experts, or chat amongst themselves about all things lady.
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continue reading
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continue reading
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