In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez James Payne. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez James Payne lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Flash Gordon & Buck Rogers: When Space Opera Met the 80s | SPACE OPERA Pt 8
Manage episode 361782364 series 2565879
Treść dostarczona przez James Payne. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez James Payne lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This week, we’re revisiting the iconic characters of Flash (Ah-ah) Gordon and (Be-de-bede) Buck Rogers in our Space Opera series—only this time, it’s THE EIGHTIES!
Join us as we dive into the Dino De Laurentiis-produced Flash Gordon (1980), a colorful and campy sci-fi adventure with a legendary soundtrack, and Glen Larson's Buck Rogers in the 25th Century (1979), a show that brought the classic character into the disco era with a futuristic twist.
We’ll dissect the wild and wonderful ways these 80s reboots brought Space Opera heroes to a new generation and discuss their lasting influence on the genre.
Visit our website https://www.journeythroughscifi.com/
Follow us on TWITTER
Add us on INSTAGRAM
Like us on FACEBOOK
Follow us on LETTERBOXD
Support the podcast on PATREON
143 odcinków
Udostępnij
Manage episode 361782364 series 2565879
Treść dostarczona przez James Payne. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez James Payne lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This week, we’re revisiting the iconic characters of Flash (Ah-ah) Gordon and (Be-de-bede) Buck Rogers in our Space Opera series—only this time, it’s THE EIGHTIES!
Join us as we dive into the Dino De Laurentiis-produced Flash Gordon (1980), a colorful and campy sci-fi adventure with a legendary soundtrack, and Glen Larson's Buck Rogers in the 25th Century (1979), a show that brought the classic character into the disco era with a futuristic twist.
We’ll dissect the wild and wonderful ways these 80s reboots brought Space Opera heroes to a new generation and discuss their lasting influence on the genre.
Visit our website https://www.journeythroughscifi.com/
Follow us on TWITTER
Add us on INSTAGRAM
Like us on FACEBOOK
Follow us on LETTERBOXD
Support the podcast on PATREON
143 odcinków
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Three thousand years after a chunk of iron the size of Khufu’s pyramid collides with Europa, Jupiter’s sixth moon, an asteroid borne of the collision crashes into Earth’s Arctic ice shelf carrying extraterrestrial microbial life. The first man to come into contact with the microbes hears voices—and then dies. After determining the meteorite originated from Europa, the Global Exploratory Corporation sends oceanographer and biologist, Kathy Connelly, and her crew to the moon aboard the Surveyo ...
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The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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continue reading
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…
continue reading
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…
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We've all seen movies that claim to be 'based on a true story', but have you ever wondered how accurate they are? That's what we'll find out as we compare Hollywood with history.
…
continue reading
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