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Treść dostarczona przez Natalie Johnsonius Neubert, Kari Bentley-Quinn, Samantha Fairfield Walsh, Abby Rosebrock, Saviana Stanescu, Winter Miller, Laura Rohrman, Micheline Auger, Kara Lee Corthron, Maybe Burke, Cecilia Copeland, Jody Christopherson, Amy E. Witting, Jessica Almasy, Susan Bernfield, Penny Jackson, Diana Oh, Maria Alexandria Beech, Angela Santillo, and Karen Cellini. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Natalie Johnsonius Neubert, Kari Bentley-Quinn, Samantha Fairfield Walsh, Abby Rosebrock, Saviana Stanescu, Winter Miller, Laura Rohrman, Micheline Auger, Kara Lee Corthron, Maybe Burke, Cecilia Copeland, Jody Christopherson, Amy E. Witting, Jessica Almasy, Susan Bernfield, Penny Jackson, Diana Oh, Maria Alexandria Beech, Angela Santillo, and Karen Cellini lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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An Introduction to Necessary Exposure Installation No. 3

2:12
 
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Manage episode 171936148 series 1079760
Treść dostarczona przez Natalie Johnsonius Neubert, Kari Bentley-Quinn, Samantha Fairfield Walsh, Abby Rosebrock, Saviana Stanescu, Winter Miller, Laura Rohrman, Micheline Auger, Kara Lee Corthron, Maybe Burke, Cecilia Copeland, Jody Christopherson, Amy E. Witting, Jessica Almasy, Susan Bernfield, Penny Jackson, Diana Oh, Maria Alexandria Beech, Angela Santillo, and Karen Cellini. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Natalie Johnsonius Neubert, Kari Bentley-Quinn, Samantha Fairfield Walsh, Abby Rosebrock, Saviana Stanescu, Winter Miller, Laura Rohrman, Micheline Auger, Kara Lee Corthron, Maybe Burke, Cecilia Copeland, Jody Christopherson, Amy E. Witting, Jessica Almasy, Susan Bernfield, Penny Jackson, Diana Oh, Maria Alexandria Beech, Angela Santillo, and Karen Cellini lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Transcript of the recorded Introduction;

Hi. I’m Jody Christopherson, the creator and photographer of Necessary Exposure: The Female Playwright Project, which you are listening to and/ or viewing right now.

We are a series of photographic portraits and sound installations. I take these photos, do this work to bring visibility to playwrights. This is what a playwright looks like. I want you to see them. When you seek plays to produce, artists to commission, curriculum to teach, I want you to remember.

Martha Goode has recorded and designed these sound plays you’ll be hearing so that we can amplify the voices of female identifying playwrights, writing at this time in history.

As I write this, it’s Feburary 7th, 2017 in New York.

A lot has happened this year already. A lot has been happening for decades. History, culture, change are made by those who control what is written about them and what access the public has to that information. Theater is an opportunity, like no other, for writers to connect directly with our audiences and create worlds together. Yet only 1/5 of the plays produced in America are written by female playwrights. Why are so few women produced when they account for over 50% of ticket sales? There is a belief that there simply aren’t enough in the “pipeline” right now.

My father was a well driller. So I know, as do you, that a pipe is structure that runs underground. I don’t want these voices underground. I want them in our theaters, I want them our non-traditional site-specific spaces, I want them in our audition rooms, our schools, our conversations. Necessary Exposure is an amplification system for that purpose. We share these words, these artists with you, and ask that you become our speakers.

If you like an excerpt you hear and want to see more, read the full play, get in touch with one of our playwrights, commission or bring an installation to your city contact us at necessaryexposurefpp@gmail.com and visit us on line at thefemaleplaywrightproject.com

View the current exhibit while you stream the plays at Dixon Place, on view through March 6th.

  continue reading

28 odcinków

Artwork
iconUdostępnij
 
Manage episode 171936148 series 1079760
Treść dostarczona przez Natalie Johnsonius Neubert, Kari Bentley-Quinn, Samantha Fairfield Walsh, Abby Rosebrock, Saviana Stanescu, Winter Miller, Laura Rohrman, Micheline Auger, Kara Lee Corthron, Maybe Burke, Cecilia Copeland, Jody Christopherson, Amy E. Witting, Jessica Almasy, Susan Bernfield, Penny Jackson, Diana Oh, Maria Alexandria Beech, Angela Santillo, and Karen Cellini. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Natalie Johnsonius Neubert, Kari Bentley-Quinn, Samantha Fairfield Walsh, Abby Rosebrock, Saviana Stanescu, Winter Miller, Laura Rohrman, Micheline Auger, Kara Lee Corthron, Maybe Burke, Cecilia Copeland, Jody Christopherson, Amy E. Witting, Jessica Almasy, Susan Bernfield, Penny Jackson, Diana Oh, Maria Alexandria Beech, Angela Santillo, and Karen Cellini lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Transcript of the recorded Introduction;

Hi. I’m Jody Christopherson, the creator and photographer of Necessary Exposure: The Female Playwright Project, which you are listening to and/ or viewing right now.

We are a series of photographic portraits and sound installations. I take these photos, do this work to bring visibility to playwrights. This is what a playwright looks like. I want you to see them. When you seek plays to produce, artists to commission, curriculum to teach, I want you to remember.

Martha Goode has recorded and designed these sound plays you’ll be hearing so that we can amplify the voices of female identifying playwrights, writing at this time in history.

As I write this, it’s Feburary 7th, 2017 in New York.

A lot has happened this year already. A lot has been happening for decades. History, culture, change are made by those who control what is written about them and what access the public has to that information. Theater is an opportunity, like no other, for writers to connect directly with our audiences and create worlds together. Yet only 1/5 of the plays produced in America are written by female playwrights. Why are so few women produced when they account for over 50% of ticket sales? There is a belief that there simply aren’t enough in the “pipeline” right now.

My father was a well driller. So I know, as do you, that a pipe is structure that runs underground. I don’t want these voices underground. I want them in our theaters, I want them our non-traditional site-specific spaces, I want them in our audition rooms, our schools, our conversations. Necessary Exposure is an amplification system for that purpose. We share these words, these artists with you, and ask that you become our speakers.

If you like an excerpt you hear and want to see more, read the full play, get in touch with one of our playwrights, commission or bring an installation to your city contact us at necessaryexposurefpp@gmail.com and visit us on line at thefemaleplaywrightproject.com

View the current exhibit while you stream the plays at Dixon Place, on view through March 6th.

  continue reading

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