In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Sheffield DocFest and Sheffield Doc/Fest. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Sheffield DocFest and Sheffield Doc/Fest lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Best of Times, Worst of Times: The Future of Feature Documentaries
Manage episode 218735351 series 39729
Treść dostarczona przez Sheffield DocFest and Sheffield Doc/Fest. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Sheffield DocFest and Sheffield Doc/Fest lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Are we entering a new "Golden Age" for feature documentary? Will new funding sources create a flurry of blockbuster features, or is cinema exhibition inexorably declining as audiences ‘Netflix and chill’? The rising power of SVOD platforms opens up new audiences and revenue streams, but may also be skewing the market towards over-long, sensational documentaries based on profit algorithms. A panel explore who's got the money and whether today's market prioritises “Films that do Well" over “Films that do Good.”
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101 odcinków
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Manage episode 218735351 series 39729
Treść dostarczona przez Sheffield DocFest and Sheffield Doc/Fest. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Sheffield DocFest and Sheffield Doc/Fest lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Are we entering a new "Golden Age" for feature documentary? Will new funding sources create a flurry of blockbuster features, or is cinema exhibition inexorably declining as audiences ‘Netflix and chill’? The rising power of SVOD platforms opens up new audiences and revenue streams, but may also be skewing the market towards over-long, sensational documentaries based on profit algorithms. A panel explore who's got the money and whether today's market prioritises “Films that do Well" over “Films that do Good.”
Chaired by Rajesh Thind with Kim Christiansen (Danish Broadcasting Corporation), Mandy Chang (BBC Storyville), Elhum Shakerifar (producer) and Lisa Marie Russo (Doc Society)
101 odcinków
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Podobny do Sheffield DocFest Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
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