In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Sheffield DocFest and Sheffield Doc/Fest. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Sheffield DocFest and Sheffield Doc/Fest lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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))
Breaking the Class Ceiling
Manage episode 252053154 series 39729
Treść dostarczona przez Sheffield DocFest and Sheffield Doc/Fest. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Sheffield DocFest and Sheffield Doc/Fest lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
In 2018, socio-economic inequality in the television and film industry became National news, when the Panic! report revealed that the industry was becoming less welcoming to talent from working class backgrounds. Much lip-service was paid to improving access in the months that followed, but what has really changed in a year? Our panel of filmmakers and commissioners discuss their experiences of making it in the industry without connections, a trust fund or private school education.
Chaired by journalist and broadcaster Danny Leigh with Fiona Campbell (Controller of BBC3), filmmakers Paul Sng, Billie Porter and Victoria Musguin-Rowe, and journalist Kieren Yates.
The session was produced by Victoria Musguin-Rowe.
101 odcinków
Udostępnij
Manage episode 252053154 series 39729
Treść dostarczona przez Sheffield DocFest and Sheffield Doc/Fest. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Sheffield DocFest and Sheffield Doc/Fest lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
In 2018, socio-economic inequality in the television and film industry became National news, when the Panic! report revealed that the industry was becoming less welcoming to talent from working class backgrounds. Much lip-service was paid to improving access in the months that followed, but what has really changed in a year? Our panel of filmmakers and commissioners discuss their experiences of making it in the industry without connections, a trust fund or private school education.
Chaired by journalist and broadcaster Danny Leigh with Fiona Campbell (Controller of BBC3), filmmakers Paul Sng, Billie Porter and Victoria Musguin-Rowe, and journalist Kieren Yates.
The session was produced by Victoria Musguin-Rowe.
101 odcinków
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Podobny do Sheffield DocFest Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
The iFanboy.com Comic Book Podcast is a weekly talk show all about the best new current comic book releases. Lifelong friends, Conor Kilpatrick and Josh Flanagan talk about what they loved and (sometimes) hated in the current weekly books, from publishers like Marvel, DC, Image Comics, Dark Horse Comics, BOOM! Studios, IDW, Aftershock, Valiant, and more. The aim is to have a fun time, some laughs, but to also really understand what makes comic books work and what doesn’t, and trying to under ...
…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Comedian and actor Gilbert Gottfried, a man Stephen King once called “a national treasure,” talks with the show business legends, icons and behind-the-scenes talents who shaped his childhood and influenced his comedy. Along with co-host and fellow pop culture fanatic Frank Santopadre, Gilbert is joined by comics, actors, musicians, talk show hosts, writers and other eyewitnesses to Hollywood history, including Bruce Dern, Chevy Chase, “Weird Al” Yankovic, Adam West, Steve Buscemi, Micky Dole ...
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continue reading
An investigative podcast hosted by world-renowned literary critic and publishing insider Bethanne Patrick. Book bans are on the rise across America. With the rise of social media, book publishers are losing their power as the industry gatekeepers. More and more celebrities and influencers are publishing books with ghostwriters. Writing communities are splintering because members are at cross purposes about their mission. Missing Pages is an investigative podcast about the book publishing ind ...
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