Artwork

Treść dostarczona przez The Great Women Artists Podcast and Katy Hessel. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Great Women Artists Podcast and Katy Hessel lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Christina Quarles

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Manage episode 373884687 series 2566975
Treść dostarczona przez The Great Women Artists Podcast and Katy Hessel. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Great Women Artists Podcast and Katy Hessel lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
I am so excited to say that my guest is one of the most renowned painters working in the world right now, Christina Quarles. A painter of bodies that stretch, condense, tangle, and meld into shapes that range from fleshy to stringy, Quarles is globally hailed for transposing this warm-blooded vessel onto a flat surface with ambiguity and effervescence. Her paintings make us feel, viscerally react both physically and emotionally with their fluorescent colouring, limbs that dismantle from the body, faces devoid of detail that exist between reality and surreality, all while echoing the constantly in flux body that we all live within. Born in 1985 in Chicago, and based in Los Angeles, Quarles emphasises through paint her and our multitudinous positions in the world. Working with acrylic paint and programmes such as adobe illustrator for the background and structures that surround the figures, her process, like her chosen subject, is full of dichotomies, between the historic and contemporary, absence and presence, night and day, in locations that exist in water and on land, in bodies that are both shadow and the full figure. A graduate of Hampshire College, for which she completed dual BA degrees in Philosophy and Studio Art, an MFA graduate of Yale School of Art and Skowhegan School of Painting and Sculpture, Quarles in the past few years has exhibited across the globe in some of the most prestigious institutions and group exhibitions, from the landmark Radical Figures at Whitechapel Gallery to last year’s Venice Biennale, and has had solo exhibitions at the Hepworth Wakefield and Hammer Museum in Los Angeles, but today we meet her in Menorca, at Hauser & Wirth, for her newly opened exhibition Come In From An Endless Place, which I can’t wait to find out more about. THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/ ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield https://www.thegreatwomenartists.com/
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Artwork

Christina Quarles

The Great Women Artists

179 subscribers

published

iconUdostępnij
 
Manage episode 373884687 series 2566975
Treść dostarczona przez The Great Women Artists Podcast and Katy Hessel. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Great Women Artists Podcast and Katy Hessel lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
I am so excited to say that my guest is one of the most renowned painters working in the world right now, Christina Quarles. A painter of bodies that stretch, condense, tangle, and meld into shapes that range from fleshy to stringy, Quarles is globally hailed for transposing this warm-blooded vessel onto a flat surface with ambiguity and effervescence. Her paintings make us feel, viscerally react both physically and emotionally with their fluorescent colouring, limbs that dismantle from the body, faces devoid of detail that exist between reality and surreality, all while echoing the constantly in flux body that we all live within. Born in 1985 in Chicago, and based in Los Angeles, Quarles emphasises through paint her and our multitudinous positions in the world. Working with acrylic paint and programmes such as adobe illustrator for the background and structures that surround the figures, her process, like her chosen subject, is full of dichotomies, between the historic and contemporary, absence and presence, night and day, in locations that exist in water and on land, in bodies that are both shadow and the full figure. A graduate of Hampshire College, for which she completed dual BA degrees in Philosophy and Studio Art, an MFA graduate of Yale School of Art and Skowhegan School of Painting and Sculpture, Quarles in the past few years has exhibited across the globe in some of the most prestigious institutions and group exhibitions, from the landmark Radical Figures at Whitechapel Gallery to last year’s Venice Biennale, and has had solo exhibitions at the Hepworth Wakefield and Hammer Museum in Los Angeles, but today we meet her in Menorca, at Hauser & Wirth, for her newly opened exhibition Come In From An Endless Place, which I can’t wait to find out more about. THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/ ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield https://www.thegreatwomenartists.com/
  continue reading

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