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Aoife O'Donovan and Dawn Landes Surf All the Feminist Waves, ep. 255

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Treść dostarczona przez The Bluegrass Situation. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Bluegrass Situation lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Coincidentally, long-time friends Aoife O'Donovan and Dawn Landes both have new albums with strong feminist themes, so I (Cindy) wanted to interview them together and talk about WOMEN. Aoife's album, All My Friends, is specifically centered around Carrie Chapman Catt, a prominent leader in the Suffragist Movement, and her work in the fight for the 19th Amendment. Inspired by speeches and letters, one song, War Measure, is even based on a letter of support from Woodrow Wilson to Chapman Catt. This album also marks the biggest project Aoife worked on with her husband Eric Jacobsen, who conducts the Orlando Philharmonic and the Virginia Symphony Orchestra. It's also the first record she's released since becoming a mother. Of her Daughters song she says she sings "as a modern woman, not wanting to leave the fight to the daughters of our daughters."

Dawn Landes, also a mother, has a more broad focus with her new album The Liberated Woman's Songbook. The album features songs from the 1971 songbook of the same title to inspire second wave feminists' women's liberation movement and modern feminism of the 1970's. The songs on Dawn's album span from 1830 (Hard is the Fortune of All Womankind) to 1970 (There Was a Young Woman Who Swallowed a Lie as well as Liberation, Now!) showcasing how women of the past expressed political activism in the struggle for gender equality.

Both Aoife and Dawn released their albums during Women's History Month, which leads to a discussion of what that means to each of them. We also talk about what is on their protest signs at the march, the Taylor Swift movie, gender stereotypes and, of course, all the waves of feminism. When thinking about the 19th amendment, we acknowledge that this only allowed WHITE women to vote. That leads to talk of how suffragists and feminist protest songwriters, like Meredith Tax, contributed to and gleaned inspiration from the civil rights movement. Aoife and Dawn are legends! We start with what their internal dialogue was like at first when undertaking these ambitious and important projects and end with Aoife putting Barbie on blast. All and all, this one's a winner.

Follow Basic Folk on social media: https://basicfolk.bio.link/

Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews

Help produce Basic Folk by contributing: https://basicfolk.com/donate/

Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods


Advertising Inquiries: https://redcircle.com/brands
  continue reading

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Artwork
iconUdostępnij
 
Manage episode 410574552 series 2469182
Treść dostarczona przez The Bluegrass Situation. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Bluegrass Situation lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Coincidentally, long-time friends Aoife O'Donovan and Dawn Landes both have new albums with strong feminist themes, so I (Cindy) wanted to interview them together and talk about WOMEN. Aoife's album, All My Friends, is specifically centered around Carrie Chapman Catt, a prominent leader in the Suffragist Movement, and her work in the fight for the 19th Amendment. Inspired by speeches and letters, one song, War Measure, is even based on a letter of support from Woodrow Wilson to Chapman Catt. This album also marks the biggest project Aoife worked on with her husband Eric Jacobsen, who conducts the Orlando Philharmonic and the Virginia Symphony Orchestra. It's also the first record she's released since becoming a mother. Of her Daughters song she says she sings "as a modern woman, not wanting to leave the fight to the daughters of our daughters."

Dawn Landes, also a mother, has a more broad focus with her new album The Liberated Woman's Songbook. The album features songs from the 1971 songbook of the same title to inspire second wave feminists' women's liberation movement and modern feminism of the 1970's. The songs on Dawn's album span from 1830 (Hard is the Fortune of All Womankind) to 1970 (There Was a Young Woman Who Swallowed a Lie as well as Liberation, Now!) showcasing how women of the past expressed political activism in the struggle for gender equality.

Both Aoife and Dawn released their albums during Women's History Month, which leads to a discussion of what that means to each of them. We also talk about what is on their protest signs at the march, the Taylor Swift movie, gender stereotypes and, of course, all the waves of feminism. When thinking about the 19th amendment, we acknowledge that this only allowed WHITE women to vote. That leads to talk of how suffragists and feminist protest songwriters, like Meredith Tax, contributed to and gleaned inspiration from the civil rights movement. Aoife and Dawn are legends! We start with what their internal dialogue was like at first when undertaking these ambitious and important projects and end with Aoife putting Barbie on blast. All and all, this one's a winner.

Follow Basic Folk on social media: https://basicfolk.bio.link/

Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews

Help produce Basic Folk by contributing: https://basicfolk.com/donate/

Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods


Advertising Inquiries: https://redcircle.com/brands
  continue reading

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