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Libby Rodenbough, ep. 212

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Treść dostarczona przez The Bluegrass Situation. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Bluegrass Situation lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Libby Rodenbough’s second solo record sees the fiddler and songwriter further stretching from the bluegrass/old time style of her band Mipso. Born in Greensboro, SC, music was just another activity that Libby did along with soccer and going to girl scouts. She played violin in her school’s orchestra and thought she’d be a music major, until a college professor let her know that her playing was not up to par with those who studied classical music at a collegial level. She found herself at local bluegrass jam sessions and meeting her future Mipso band members, which led to her discover that music could be a creative outlet and a means of expression.

On the new record, Libby is processing and coping with the death of her mother, who was diagnosed with an incurable cancer and died about 5 months before she began recording the album. Created amongst North Carolina musicians, she found herself nestled in a group of people who were also dealing with loss of and serious illness of loved ones. This gave the sessions a heavy and contemplative feel, but it was also comforting to be around friends who felt the existence and love of those who were no longer alive in the room. Libby is open, honest and real. We get into lady-things and cat-things. Hope you enjoy Libby! Her new album is wonderful.

Follow Basic Folk on social media: https://basicfolk.bio.link/

Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews

Help produce Basic Folk by contributing: https://basicfolk.com/donate/


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Artwork

Libby Rodenbough, ep. 212

Basic Folk

8,945 subscribers

published

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Manage episode 363019150 series 2469182
Treść dostarczona przez The Bluegrass Situation. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Bluegrass Situation lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Libby Rodenbough’s second solo record sees the fiddler and songwriter further stretching from the bluegrass/old time style of her band Mipso. Born in Greensboro, SC, music was just another activity that Libby did along with soccer and going to girl scouts. She played violin in her school’s orchestra and thought she’d be a music major, until a college professor let her know that her playing was not up to par with those who studied classical music at a collegial level. She found herself at local bluegrass jam sessions and meeting her future Mipso band members, which led to her discover that music could be a creative outlet and a means of expression.

On the new record, Libby is processing and coping with the death of her mother, who was diagnosed with an incurable cancer and died about 5 months before she began recording the album. Created amongst North Carolina musicians, she found herself nestled in a group of people who were also dealing with loss of and serious illness of loved ones. This gave the sessions a heavy and contemplative feel, but it was also comforting to be around friends who felt the existence and love of those who were no longer alive in the room. Libby is open, honest and real. We get into lady-things and cat-things. Hope you enjoy Libby! Her new album is wonderful.

Follow Basic Folk on social media: https://basicfolk.bio.link/

Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews

Help produce Basic Folk by contributing: https://basicfolk.com/donate/


Advertising Inquiries: https://redcircle.com/brands
  continue reading

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