Najlepsze podcasty z kategorii: Sanga (2024)

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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 45 – July 24, 2024 44:29

2d ago44:29

44:29

Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 45 śrī-parīkṣid uvāca itthaṁ sa-puṣpa-vikṣepaṁ vadan dṛṣṭvā diśo ’khilāḥ tāṁ sa-cumbanam āliṅgya go-gopaiḥ saṅgato ’grataḥ TRANSLATION Śrī Parīkṣit continued: Having said this, Kṛṣṇa threw a handful of flowers at Śrī Rādhā, looked all around, and then embraced and kissed Her. He then went ahead to meet the …

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Ainkurunooru 441-450: Heartbeats from the battlefield 12:25

7h ago12:25

12:25

In this episode, we listen to the laments of the man, as portrayed in Sangam Literary work, Ainkurunooru 441-450, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar. Thus blooms the Forty Fifth Ten of Ainkurunooru: Heartbeats from the Battlefield 441 Her words ஐய ஆயின, செய்யோள் கிளவி; கார் நாள் உருமொடு கையறப் பிரிந்தென, …

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Ainkurunooru 431-440: Ode to the Flowering Forest 8:19

1d ago8:19

8:19

In this episode, we perceive the effect of the rains on a domain, as depicted in Sangam Literary work, Ainkurunooru 431-440, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar. Thus blooms the Forty Fourth Ten of Ainkurunooru: Ode to the Flowering Forest 431 Sapphire Peacocks நன்றே, காதலர் சென்ற ஆறே! அணி நிற இரும் பொறை ம…

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Ainkurunooru 421-430: Assorted Allusions 12:31

2d ago12:31

12:31

In this episode, we listen to various perspectives on parting away, as depicted in Sangam Literary work, Ainkurunooru 421-430, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar. Thus blooms the Forty Third Ten of Ainkurunooru: Assorted Allusions 421 Scuttling hare மாலை வெண் காழ் காவலர் வீச, நறும் பூம் புறவின் ஒடுங்கு மு…

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Ainkurunooru 411-420: This Time This Place 11:39

3d ago11:39

11:39

In this episode, we listen to joyous words about the arrival of a season, as portrayed in Sangam Literary work, Ainkurunooru 411-420, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar. Thus blooms the Forty Second Ten of Ainkurunooru: This Time This Place 411 Rains have begun ஆர் குரல் எழிலி அழிதுளி சிதறிக் கார் தொடங்கி…

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Ainkurunooru 401-410: Music of Togetherness 11:41

4d ago11:41

11:41

In this episode, we listen to the sweet reminiscences of the lady’s foster mother, as portrayed in Sangam Literary work, Ainkurunooru 401-410, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar. Thus blooms the Forty First Ten of Ainkurunooru: The Music of Togetherness 401 Hard to obtain மறி இடைப்படுத்த மான் பிணை போல, பு…

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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 40 – July 21, 2024 1:02:29

5d ago1:02:29

1:02:29

Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 40 rundhāno veṇu-nādair gā vartamānāṁ sahālibhiḥ rādhikām agrato labdhvā sa-narma-smitam abravīt TRANSLATION As He continued walking, playing His flute to keep the cows from wandering off, He then came upon Śrī Rādhikā with Her girlfriends and spoke to Her with witty comments and charming smiles.…

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Ainkurunooru 391-400: Return of the Daughter 17:00

7d ago17:00

17:00

In this episode, we perceive joyful scenes of homecoming, as depicted in Sangam Literary work, Ainkurunooru 391-400, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar. Thus spreads the Fortieth Ten of Ainkurunooru: Return of the Daughter 391 A feast for crows மறு இல் தூவிச் சிறு கருங் காக்கை! அன்புடை மரபின் நி…

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Ainkurunooru 381-390: Portraits of the Parted Pair 15:01

8d ago15:01

15:01

In this episode, we perceive the observations of travellers, as depicted in Sangam Literary work, Ainkurunooru 381-390, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar. Thus spreads the Thirty Ninth Ten of Ainkurunooru: Portraits of the Parted Pair 381 Inseparable lovers பைங் காய் நெல்லி பல உடன் மிசைந்து, செ…

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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 22 – July 17, 2024 47:04

9d ago47:04

47:04

Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 22 śrī-baladeva uvāca śrī-kṛṣṇa kṛṣṇa bho bhrātar uttiṣṭhottiṣṭha jāgṛhi paśyādya velātikrāntā viśanti paśavo vanam TRANSLATION Śrī Baladeva said: Śrī Kṛṣṇa, Kṛṣṇa, My dear brother! Get up, get up! Wake up from Your sleep! Just see, it is now getting late. The cows are already entering the forest.…

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Ainkurunooru 371-380: Ballad of the Melancholic Mother 13:03

9d ago13:03

13:03

In this episode, we listen to the lament of a mother, as depicted in Sangam Literary work, Ainkurunooru 371-380, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar. Thus spreads the Thirty Eighth Ten of Ainkurunooru: Ballad of the Melancholic Mother 371 Path of righteousness மள்ளர் கொட்டின் மஞ்ஞை ஆலும் உயர் நெட…

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Ainkurunooru 361-370: About Her About Him 14:46

10d ago14:46

14:46

In this episode, we listen to perspectives about people, as portrayed in Sangam Literary work, Ainkurunooru 361-370, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar. Thus spreads the Thirty Seventh Ten of Ainkurunooru: About Her, About Him 361 Fury of her form உயர்கரைக் கான் யாற்று அவிர்மணல் அகன்துறை வேனில் …

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Ainkurunooru 351-360: Here he comes 12:26

11d ago12:26

12:26

In this episode, we listen to the joyous news of the man’s return, as portrayed in Sangam Literary work, Ainkurunooru 351-360, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar. Thus spreads the Thirty Sixth Ten of Ainkurunooru: Here he comes 351 Leaving behind the drylands அத்தப் பலவின் வெயில் தின் சிறு காய்,…

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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Texts 15-16 – July 14, 2024 56:51

12d ago56:51

56:51

Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Texts 15-16 nāradas tu kṛtāgaskam ivātmānam amanyata devānāṁ yādavānāṁ ca saṅge ’gān na kutūhalāt viyaty antarhito bhūtvā baddhvaikaṁ yoga-paṭṭakam niviṣṭo bhagavac-ceṣṭā- mādhuryānubhavāya saḥ TRANSLATION Nārada, however, thinking he had committed an offense, did not accompany the demigods and the Yādavas. Inst…

1
Ainkurunooru 341-350: The Season of Love 8:10

16d ago8:10

8:10

In this episode, we perceive the arrival of the promised season, as portrayed in Sangam Literary work, Ainkurunooru 341-350, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.Autor: Nandini Karky

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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 11 – July 10, 2024 53:02

16d ago53:02

53:02

Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 11 sva-sthānaṁ bhejire sarve catur-vaktreṇa bodhitāḥ saṁjñām ivāpto rāmas tu nīyamāno garutmatā TRANSLATION Advised by Brahmā, everyone else went back home. Meanwhile, as Kṛṣṇa and Balarāma were being carried by Garuḍa, Balarāma more or less regained consciousness.…

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Ainkurunooru 331-340: Laments of the Lady 12:36

17d ago12:36

12:36

In this episode, we perceive the lady's emotions after the man's parting, as portrayed in Sangam Literary work, Ainkurunooru 331-340, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.Autor: Nandini Karky

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Ainkurunooru 321-330: Thoughts of the Beloved 12:59

18d ago12:59

12:59

In this episode, we travel to the parched spaces in the midst of the drylands, as depicted in Sangam Literary work, Ainkurunooru 321-330, situated in the 'Paalai' or 'Drylands landscape' and penned by the poet Othalaanthaiyaar.Autor: Nandini Karky

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Ainkurunooru 311-320: Journey of the Parted 12:53

19d ago12:53

12:53

In this episode, we perceive the emotions in parting, as depicted in Sangam Literary work, Ainkurunooru 311-320, situated in the 'Paalai' or 'Drylands landscape' and penned by the poet Othalaanthaiyaar.Autor: Nandini Karky

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Ainkurunooru 301-310: Part not away 14:06

20d ago14:06

14:06

In this episode, we listen to the strong words of the confidante, as portrayed in Sangam Literary work, Ainkurunooru 300-310, situated in the 'Paalai' or 'Drylands landscape' and penned by the poet Othalaanthaiyaar.Autor: Nandini Karky

1
Ainkurunooru 291-300: Trail of the Peacock’s Tail 12:41

22d ago12:41

12:41

In this episode, we observe the dance of the peacock, as portrayed in Sangam Literary work, Ainkurunooru 291-300, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.Autor: Nandini Karky

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Ainkurunooru 281-290: In Gratitude to the Parrots 13:33

23d ago13:33

13:33

In this episode, we perceive scenes involving parrots in a mountain field, as depicted in Sangam Literary work, Ainkurunooru 281-290, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.Autor: Nandini Karky

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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Texts 3-4 – July 3, 2024 53:49

23d ago53:49

53:49

Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Texts 3-4 tam apūrva-daśā-bhājaṁ preṣṭha-praṇaya-kātaram nigūḍha-nija-māhātmya- bhara-prakaṭanoddhatam mahā-nārāyaṇaṁ brahmā pitaraṁ gurum ātmanaḥ sa-camatkāram ālokya dhvasta-dhairyo ’rudat kṣaṇam TRANSLATION Brahmā found his own father and spiritual master, the original Nārāyaṇa, in an unprecedented state, dis…

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Ainkurunooru 271-280: Tales of the mountain monkey 15:02

24d ago15:02

15:02

In this episode, we follow the trail of a monkey, as portrayed in Sangam Literary work, Ainkurunooru 271-280, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.Autor: Nandini Karky

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Ainkurunooru 261-270: Ballad of the Boar 14:56

25d ago14:56

14:56

In this episode, we observe the antics of a wild boar, as portrayed in Sangam Literary work, Ainkurunooru 261-270, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.Autor: Nandini Karky

1
Ainkurunooru 251-260: Portrait of a mountain man 10:42

25d ago10:42

10:42

In this episode, we get to know a mountain dweller, as depicted in Sangam Literary work Ainkurunooru 251-260, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.Autor: Nandini Karky

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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 1 – June 30, 2024 55:32

26d ago55:32

55:32

Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 1 śrī-parīkṣid uvāca itthaṁ sa-parivārasya mātas tasyārti-rodanaiḥ brahmāṇḍaṁ vyāpya sañjāto mahotpāta-cayaḥ kṣaṇāt TRANSLATION Śrī Parīkṣit said: Dear mother, as the sound of Kṛṣṇa lamenting with His family members filled the universe, a series of terrible omens quickly ensued.…

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Ainkurunooru 241-250: Divining the Truth 12:50

29d ago12:50

12:50

In this episode, we perceive events around a divination ritual, as portrayed in Sangam Literary work Ainkurunooru 241-250, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.Autor: Nandini Karky

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Ainkurunooru 231-240: Alas The Poor Lass 12:14

30d ago12:14

12:14

In this episode, we perceive parting pain and hear of daring plans, as depicted in Sangam Literary work Ainkurunooru 231-240, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.Autor: Nandini Karky

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Bṛhad-bhāgavatāmṛta Part 1 Chapter 6 Text 113 – June 26, 2024 51:15

1M ago51:15

51:15

Bṛhad-bhāgavatāmṛta Part 1 Chapter 6 Text 113 śrī-parīkṣid uvāca śrīmad-gopāla-devas tac chrutvā sambhrānti-yantritaḥ jātāntas-tāpataḥ śuṣyan- mukhābjaḥ śaṅkayākulaḥ TRANSLATION Śrī Parīkṣit said: Having heard all this, the blessed Lord Gopāla felt overwrought with worry for His devotees. Scorching anxiety dried up His lotus face. He was filled wit…

1
Ainkurunooru 221-230: Conversations between Companions 13:24

1M ago13:24

13:24

In this episode, we perceive the emotions around parting, as portrayed in Sangam Literary work, Ainkurunooru 221-230, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.Autor: Nandini Karky

1
Ainkurunooru 211-220: Words to a mountain woman 15:11

1M ago15:11

15:11

In this episode, we observe the elements and emotions in an ancient hill country, as depicted in Sangam Literary work, Ainkurunooru 211-220, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.Autor: Nandini Karky

1
Ainkurunooru 201-210: The man and his mountain 17:22

1M ago17:22

17:22

In this episode, we explore the sights and emotions of the hill country, as portrayed in Sangam Literary work, Ainkurunooru 201-210, situated in the 'Kurinji' or 'Mountain landscape' and penned by the prolific poet Kabilar.Autor: Nandini Karky

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Bṛhad-bhāgavatāmṛta Part 1 Chapter 6 Text 113 – June 23, 2024 37:55

1M ago37:55

37:55

Bṛhad-bhāgavatāmṛta Part 1 Chapter 6 Text 113 śrī-parīkṣid uvāca śrīmad-gopāla-devas tac chrutvā sambhrānti-yantritaḥ jātāntas-tāpataḥ śuṣyan- mukhābjaḥ śaṅkayākulaḥ TRANSLATION Śrī Parīkṣit said: Having heard all this, the blessed Lord Gopāla felt overwrought with worry for His devotees. Scorching anxiety dried up His lotus face. He was filled wit…

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Ainkurunooru 191-200: Tell O Shell 14:18

1M ago14:18

14:18

In this episode, we listen to the stories echoing from the sounds of shell bangles, as portrayed in Sangam Literary work, Ainkurunooru 191-200, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.Autor: Nandini Karky

1
Ainkurunooru 181-190: Ballad of the Blue Lotus 13:17

1M ago13:17

13:17

In this episode, we perceive the beauty of a blue lotus, as depicted in Sangam Literary work, Ainkurunooru 181-190, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.Autor: Nandini Karky

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Bṛhad-bhāgavatāmṛta Part 1 Chapter 6 Text 104 – June 19, 2024 52:29

1M ago52:29

52:29

Bṛhad-bhāgavatāmṛta Part 1 Chapter 6 Text 104 vṛkṣādibhis tv antarite kadācid asmin sati syāt saha-cāriṇāṁ bhṛśam śrī-kṛṣṇa kṛṣṇeti mahā-pluta-svarair āhvāna-bhaṅgyākulatā sa-rodanā TRANSLATION O virtuous lady, if trees or other obstacles block Kṛṣṇa from sight even briefly, His companions at once shed tears and call in anxious, drawn-out voices, “…

1
Ainkurunooru 171-180: Ticket to Thondi 15:16

1M ago15:16

15:16

In this episode, we perceive the glory of an ancient seaside town, as depicted in Sangam Literary work, Ainkurunooru 171-180, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.Autor: Nandini Karky

1
Ainkurunooru 161-170: On the wings of a gull 14:01

1M ago14:01

14:01

In this episode, we hop in step with a white sea gull to learn of the love dynamics between the man and the lady, as depicted in Sangam Literary work, Ainkurunooru 161-170, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.Autor: Nandini Karky

1
Ainkurunooru 151-160: Case of Mistaken Identity 13:24

1M ago13:24

13:24

In this episode, we perceive the allegorical actions of a stork and a white seabird chick, as depicted in Sangam Literary work, Ainkurunooru 151-160, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.Autor: Nandini Karky

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Bṛhad-bhāgavatāmṛta Part 1 Chapter 6 Text 90 – June 16, 2024 52:07

1M ago52:07

52:07

Bṛhad-bhāgavatāmṛta Part 1 Chapter 6 Text 90 bhavān svayam agatvā tu yaṁ sandeśaṁ samarpya mām prāhiṇot tena te sarve babhūvur nihatā iva TRANSLATION But You never came. You sent me instead. And when they heard the message You had sent with me, they almost died from disappointment.

1
Ainkurunooru 141-150: Tigerclaw Tales 9:37

1M ago9:37

9:37

In this episode, we observe changing scenes around an element of the seashore, as portrayed in Sangam Literary work, Ainkurunooru 141-150, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.Autor: Nandini Karky

1
Ainkurunooru 131-140: Breaking Bard 9:13

1M ago9:13

9:13

In this episode, we hear the rebuke rendered to a bard, as portrayed in Sangam Literary work, Ainkurunooru 131-140, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.Autor: Nandini Karky

1
Bṛhad-bhāgavatāmṛta Part 1 Chapter 6 Text 87 – June 12, 2024 1:02:07

1M ago1:02:07

1:02:07

Bṛhad-bhāgavatāmṛta Part 1 Chapter 6 Text 87 śrī-nanda uvāca dravyāṇy ādau prema-cihnāni putra etāny atra prāhiṇot satya-vākyaḥ śīghraṁ paścād āgamiṣyaty avaśyaṁ tatratyaṁ sva-prastutārthaṁ samāpya TRANSLATION Śrī Nanda said: Our son is an honest person who always speaks the truth. He has first sent us these things, as tokens of His love. He is sur…

1
Ainkurunooru 121-130: Image of Innocence 9:29

1M ago9:29

9:29

In this episode, we perceive a portrait of a naive maiden, as depicted in Sangam Literary work, Ainkurunooru 121-130, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.Autor: Nandini Karky

1
Ainkurunooru 111-120: Lament of the Lady 11:12

2M ago11:12

11:12

In this episode, we listen to words rendered to the confidante, as portrayed in Sangam Literary work, Ainkurunooru 111-120, situated in the 'Neythal' or 'Coastal landscape' and penned by the poet Ammoovanaar.Autor: Nandini Karky

1
Ainkurunooru 101-110: For Mother’s Attention 14:40

2M ago14:40

14:40

In this episode, we listen to the confidante's words about the man and lady, as portrayed in Sangam Literary work, Ainkurunooru 101-110, situated in the 'Neythal' or 'Coastal landscape' and penned by the poet Ammoovanaar.Autor: Nandini Karky

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Bṛhad-bhāgavatāmṛta Part 1 Chapter 6 Text 79 – June 9, 2024 54:11

2M ago54:11

54:11

Bṛhad-bhāgavatāmṛta Part 1 Chapter 6 Text 79 śrīmad-uddhava uvāca na rāja-rājeśvaratā-vibhūtīr na divya-vastūni ca te bhavattaḥ na kāmayante ’nyad apīha kiñcid amutra ca prāpyam ṛte bhavantam TRANSLATION Śrīmān Uddhava said: The people of Vraja don’t want from You the power and wealth of emperors, nor the enjoyments found in heaven, nor anything el…

1
Ainkurunooru 91 to 100: Ballad of the Buffalo 15:56

2M ago15:56

15:56

In this episode, we observe the antics of a buffalo, as depicted in Sangam Literary work, Ainkurunooru 91 to 100, situated in the 'Marutham' or 'Farmlands landscape' and penned by the poet Orambokiyar.Autor: Nandini Karky

1
Ainkurunooru 81 to 90 – Speaking of Sulking 13:54

2M ago13:54

13:54

In this episode, we perceive many variations of sulking, as depicted in Sangam Literary work, Ainkurunooru 81 to 90, situated in the 'Marutham' or 'Farmlands landscape' and penned by the poet Orambokiyar.Autor: Nandini Karky

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